Edgar Allan Poe Quotes

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Deep into that darkness peering, long I stood there, wondering, fearing, doubting, dreaming dreams no mortal ever dared to dream before.

I became insane, with long intervals of horrible sanity.

All that we see or seem is but a dream within a dream.

They who dream by day are cognizant of many things which escape those who dream only by night.

Stupidity is a talent for misconception.

I have, indeed, no abhorrence of danger, except in its absolute effect - in terror.

All religion, my friend, is simply evolved out of fraud, fear, greed, imagination, and poetry.

The rudiment of verse may, possibly, be found in the spondee.

The ninety and nine are with dreams, content but the hope of the world made new, is the hundredth man who is grimly bent on making those dreams come true.

I need scarcely observe that a poem deserves its title only inasmuch as it excites, by elevating the soul. The value of the poem is in the ratio of this elevating excitement.

I would define, in brief, the poetry of words as the rhythmical creation of Beauty.

The true genius shudders at incompleteness - and usually prefers silence to saying something which is not everything it should be.

I have great faith in fools; self-confidence my friends call it.

It is by no means an irrational fancy that, in a future existence, we shall look upon what we think our present existence, as a dream.

Once upon a midnight dreary, while I pondered weak and weary.

In one case out of a hundred a point is excessively discussed because it is obscure; in the ninety-nine remaining it is obscure because it is excessively discussed.

Man's real life is happy, chiefly because he is ever expecting that it soon will be so.

I have no faith in human perfectability. I think that human exertion will have no appreciable effect upon humanity. Man is now only more active - not more happy - nor more wise, than he was 6000 years ago.

Beauty of whatever kind, in its supreme development, invariably excites the sensitive soul to tears.

Were I called on to define, very briefly, the term Art, I should call it 'the reproduction of what the Senses perceive in Nature through the veil of the soul.' The mere imitation, however accurate, of what is in Nature, entitles no man to the sacred name of 'Artist.'

There is something in the unselfish and self-sacrificing love of a brute, which goes directly to the heart of him who has had frequent occasion to test the paltry friendship and gossamer fidelity of mere Man.

That man is not truly brave who is afraid either to seem or to be, when it suits him, a coward.

In criticism I will be bold, and as sternly, absolutely just with friend and foe. From this purpose nothing shall turn me.

The nose of a mob is its imagination. By this, at any time, it can be quietly led.

With me poetry has not been a purpose, but a passion.

To vilify a great man is the readiest way in which a little man can himself attain greatness.

There are few cases in which mere popularity should be considered a proper test of merit; but the case of song-writing is, I think, one of the few.

That pleasure which is at once the most pure, the most elevating and the most intense, is derived, I maintain, from the contemplation of the beautiful.

A strong argument for the religion of Christ is this - that offences against Charity are about the only ones which men on their death-beds can be made - not to understand - but to feel - as crime.

Words have no power to impress the mind without the exquisite horror of their reality.

The generous Critic fann'd the Poet's fire, And taught the world with reason to admire.

Science has not yet taught us if madness is or is not the sublimity of the intelligence.

If you wish to forget anything on the spot, make a note that this thing is to be remembered.

Of puns it has been said that those who most dislike them are those who are least able to utter them.

It is the nature of truth in general, as of some ores in particular, to be richest when most superficial.

It will be found, in fact, that the ingenious are always fanciful, and the truly imaginative never otherwise than analytic.

I am above the weakness of seeking to establish a sequence of cause and effect, between the disaster and the atrocity.

The death of a beautiful woman, is unquestionably the most poetical topic in the world.

Experience has shown, and a true philosophy will always show, that a vast, perhaps the larger portion of the truth arises from the seemingly irrelevant.

The boundaries which divide Life from Death are at best shadowy and vague. Who shall say where the one ends, and where the other begins?

Lord, help my poor soul.

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