Studio Quotes
Most Famous Studio Quotes of All Time!
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It really does take a lot of time to make records, to be in the studio and do all that stuff.
Obviously I don't have a stylist for everyday stuff, but for a premiere or something usually the studio will hire someone.
I get up at 3:30 A. M. We're on air from 6 A. M., so if I'm in the studio, I'll have eggs at around 7 A. M. from the canteen - scrambled or poached, occasionally with a slice of brown toast.
I wrote 'Actor' all on the computer. I didn't touch any instruments until I was in the studio. So while I had all these ornate arrangements, I didn't have any songs.
I joined the Actors Studio and began to work with Lee Strasberg, and that changed my work.
My studio is not arty. It doesn't smell of turpentine, and I'm not knee-high in paper.
My dream as a teenager was to run a movie studio, as in the old studio system.
When I was 15, 16, I studied with Stella Adler at the Conservatory of Acting, then I stopped again and went to the Actors Studio when I was 18.
I could never be a movie star and get up at 7:30 to be at someone else's studio.
I'm not one of those rapper guys that spend nights in the studio. I hate being in the studio.
At any one time, I'll have 30 to 40 pieces going on in the studio, so this is not economically driven at all.
You can have ambiguity in television that you are not allowed in film... at least in Hollywood studio films.
Performing was always something that I actually used to do before I settled in the studio as a composer.
In L.A., unless you've just won an Oscar or you're Mr. Studio Head, no one talks to you. Even at parties.
I bought a Dutch barge and turned it into a recording studio. My plan was to go to Paris and record rolling down the Seine.
Decline III, I funded myself, from the studio money. That, and I sold a lot of drugs. Kidding. Don't print that.
I don't think that Simon and Garfunkel as a live act compares to Simon and Garfunkel as a studio act.
The studio have always claimed that the ship is the star of the show, especially when they're renegotiating contracts.
I needed an opportunity to get back in the studio and get my recording chops back together.
In the studio, there's no tiptoeing. As opposed to big, blow-out arguments, there are just lots of little solutions.
Whenever I go into the studio, I'm like, 'Guys, we're probably not going to get an uptempo out of this!'
But in marketing, the familiar is everything, and that is controlled by the studio. That is reaching its apogee now.
I regret the passing of the studio system. I was very appreciative of it because I had no talent.
When I was a kid and I bought a record, I ripped that thing open, I wanted to know who was playing what, what studio it was cut at, who was the string arranger, who was the engineer.
The thing that's characteristic of my performance is that I literally do drag the whole studio onto the stage.
I've got perfectionist issues, as I can't seem to let tracks out the studio - it drives my manager nuts.
Honestly, most of the stuff I made for 'TV on the Radio,' I write in the studio.
They're mostly done before we went into the studio, although I do like writing in the studio.
I want babies before I'm 25. I want to bring my babies on the road and bring them to concerts and raise them in the studio.
Schaeffer gave me permission to work in the studio with a technician, but I've never worked with him.
When I'm in studio, we cover the news. But no one says the news has to be boring.
I've turned my guest house into this little studio, and we have actors come over and do readings.
You get involved with a studio, and optional pictures and sequel options and that sort of thing are becoming part and parcel with the roles they're handing out.
I've been blessed in my career to be able to do studio and independent films.
Today, it's very tempting to create songs by cutting and pasting in the studio.
I don't have a formal home recording studio, but I can record tracks on my computer upstairs in my office.
Some of the earlier stuff I did in studio with producers was very pop-directed, which I was uncomfortable with.
I started young. My first record came out when I was - what? 18? So I was in the studio when I was 15, 16.
You can tell the difference between songs that were created in a garage and songs that were created in the studio.
Non-studio entities can experiment with storytelling that might be too niche... for a studio.
I tried my hand at photography and worked with a studio for six months.
Lately I've been a workaholic. I'm in the studio all the time and I've helped to produce a couple of artists.
I basically was in charge of the Jackson 5 - all their creative, when it came down to the studio, and all their musical endeavors.
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